Bought a T-shirt from the gallery at work the other day. The artwork was done by a client I used to work with: titled 'Elephants'


//listening 2:
ry cooder
nodzzz - always make your bed
flamin' groovies - my yadda
joan osborne - dracula moon
the rolling stones
the band
talking heads - the girls want to be with the girls
atlas sound
woods - echo lake
patti smith group - till victory
dragons
jonny cash - man in black
jonny corndawg - dog on a chain
lucinda williams - car wheels on a gravel road
paul simon - peace like a river
silver jews - pretty eyes
bruce springsteen
bob dylan - hurricane
waylon jennings - don't think twice it's alright
john prine
cat power - moonshiner
phosphorescent - salt & blues
my morning jacket
bonnie 'prince' billy
lou reed - looking for love



Flagstaff's favorite garage pop band!


@Lulu Wolf







C00L B3ANZ//
My holiday favorites...





I was told from Bobby to keep a nice bottle of wine near when reading this book...


One of my favorite Woody Allen films




 Keyboard


!!!!!!!!!!


Celestite

Lounging with Duncan...


//Listening 2:
blue states - season song
midlake - mr. amateur
the paperhead
paul simon - one trick pony
pavement
black mountain - druganaut
the 13th floor elevators 
the fugs - cia man
neil young
the kinks - all day and all of the night
friar tuck
yuck - get away
silver jews
snow songs - everything ends
seapony
big troubles - phantom
best coast
cat stevens- here comes my baby
yo la tengo - periodically double or triple 
can - i want more
tortoise
air - eat my beat
akron/family - everyone is guilty 
animal collective - doggy




Mike Mills' Fireworks.

"Some things that may or may not relate to these drawings: A professional suggested I take anti-depressants. I declined. About the same time I started drawing fireworks. I didn’t know what they meant or why I was drawing them. I was confused and embarrassed by this lack of meaning, but they kept coming. I could draw them no matter how I felt. I read that fireworks were first used in China in the 12th century to scare away negative spirits. I envied a world that not only recognized spirits, but scared the negative ones away with small man made explosions. About the same time, I read in a magazine that antidepressants have a hard time performing better than the placebo pills they are tested against. Scientist cannot explain it, but almost as many people who take the fake pills say they feel relief from their depression. The blood flow in their brains actually changes in the same positive way that it does for the people who take the real pills. I felt a connection between the Chinese fireworks and the placebo effect, and some relief in all the things we don’t understand. At some point the fireworks grew more and more abstract, and messy, and complicated, and I became if not content then at least willing to make things that didn’t have any apparent meaning."  - Mike Mills









New Sumi Ink Club book published by Dynasty Zines in Greece! Features work from the “Surfing Bears” and “Sun Circle” period. Classic Sumi.

Just saw this, Printed Matter is reissuing the amazing book GAAG, The Guerrilla Art Action Group, 1969-1976, which has been out of print for almost 30 years! There was a pdf of this book floating around for awhile, but it is great that it's going to be in print again. I don't think I can describe GAAG better than Printed Matter, so here's their info about the re-release:

"Printed Matter is very pleased to announce the reissue of our long out-of-print publication GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection, first published in 1978. The book serves as the primary text to the significant work of the activist artist group GAAG (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), both as a document of the group’s ideological and logistical concerns, and more broadly as a historical record for 52 of the many political art actions they carried out through the late Sixties and early Seventies. Guided by their belief that art and culture had been corrupted by profit and private interest, GAAG formed in October 1969 as a platform for social struggle. Their work asked how artists could work effectively towards meaningful change, most often through direct provocation and confrontation—symbolic, non-violent actions staged in protest and ridicule of the ethical failures by the art and media establishments, as well as the US government. Their activities defied the brutal, close-minded workings of an artistic/political system that traded in dirty money, served the elite, established a trivial cultural canon, and perpetuated bloody wars abroad."

GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection collects the manifestos, letters and press communiqués issued by the group to Nixon, Hoover, The Secretary of Defense, museum officials, and others. Their missives are printed as facsimiles, alongside other print material, including handwritten expenses, and related documents, that stand as statements of purpose and protest. Photographers Ka Kwong Hui, Joanne Stamerra, Jan Van Raay and others were often on hand as many of the actions unfolded, offering a remarkable and candid visual history to the group’s activities and confrontations. Perhaps best known of the group’s actions is the unsanctioned 1969 event in The Museum of Modern Art, sometimes referred to as “Blood Bath.” Members of the group—Hendricks, Johnson, Silvianna and Jean Toche—gathered in the museum lobby, threw manifestos in the air, ripped each other’s clothing, spilling animal blood hidden beneath, while moaning and screaming. They dropped to the floor, writhing in the blood and manifestos as visitors and guards stood by. After the action, they got up and abruptly left the museum without addressing anyone. The manifestos demanded the resignation of the all the Rockefellers from the MoMA Board, and made clear the financial ties of the Rockefellers to the Standard Oil Corporation and McDonnell Aircraft Corporation, both then involved in weapons production for the Vietnam War.

GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection is a tremendous resource on the important work of the group, providing insight into social action and political art activities with lasting implications. The book stands both as a historical documentation as well as a model for contemporary and future critique and practice...

Thinking of getting this book for a friend for Christmas. Hope he enjoys it.

Been pondering art and Hedda Sterne a lot lately. Hedda Sterne I feel was one of the best kept secrets of the art world. Along with one of my all time favorite artists, the beautiful Jane Frank... [love her work] The only woman in a group of abstract expressionists, Sterne, along with Jackson Pollock, Willem de Kooning, Barnett Newman and Mark Rothko called themselves 'The Irascibles.'

Whether be it a poet writing a novel in three nights, men painted blue making music with Cap’n Crunch cereal, or a painter using the floor as her canvas, something unites the artists in these BOMB interviews. It seems that several artists allude to a similar phenomenon in their work: an acknowledgement of the unknown. The unknown can be a scary and confusing space, but all these artists dive into the mystery—into the void—sit with it, and grapple with questions of objectivity and subjectivity. Definitely take the time to check out these interviews!


Li Young Lee: Making art opposes dying, but at the same time, it gets all its energy from this downward momentum, this art into the abyss that all of us are a part of, that’s the tension we feel in art which we enjoy.


Art serves as an effort to understand life, yet also as recognition that complete understanding is impossible. By attempting to express the incommunicable, art can find the miracle in the complexity, the inexplicable, and the absurd. Many of these interviews offer insights into how these artists don’t allow the unknown to hold them down; they find beauty in the mystery by embracing the present moment. By letting go of rational thought and admitting that things often don’t make sense, kernels of truth are found.


Hedda Sterne: Artists are inclined to believe that art is like honey, the product of their own subconcsiouses, their own minds, and I do not. I see myself as a well-working lens, a perceiver of something that exists independently of me: don’t look at me, look at what I’ve found.


Phil Hartman: I’m one of the lucky people who gets to do something silly, and that’s the way I like to hold my life, because that state of mind allows me to be closer to that creative wellspring which comes out of looseness and freedom.


Many of these artists I noticed don't want to be pinned down to a categorized identity. In defying being defined, the artists address that humans are multi-faceted and constantly changing, and create multiple perspectives in their art to portray this. 


Darrell Larson: That’s what I love—contradictory situations. That’s the normal human state, really.


Simon Lane on Gregory Crane’s paintings: As with all art of integrity, the innovation lies not in the process but in the execution, in the ability not to fancify the visual world but to completely reinvent it.


Jill Baroff: Part of what interests me is creating something that evokes a similar experience to what sometimes happens to me in the midst of a broad landscape, where my eyes no longer take in what I see. As though the picture disappears and some other experience takes over.


Lauren Szold: A painting seemed like a wound: why do the edges end where they end? I wanted the boundaries of the “image” to find their own destination, not be arbitrarily determined by this frame.


Ida Applebroog: Depending upon where the viewer is standing, the work can tell entirely different stories.

Stopped in the record store the other day and almost got 'The Covers Record' from Cat Power. After a minute or two, I had realized how often I actually listen to Cat Power nowadays... not too often. I think I lost interest near the end of senior year of high school. There are still many amazing songs that I listen to from time to time, but I feel like lately I've been searching for something else. Guess I was more attracted to the beautiful shapes on the album cover!








On the approach to Solstice//Christmas the "what would you like" question is one that always stumps me. Well this year I know exactly what I want, I want this book, Woodstock handmade houses or I want one of those amazing houses, either would be good.

Beautiful shape, Honza Zamojski.

Dive In


tea. me. el gato


//Listening 2:
roberta flack - compared to what
sly & the family stone
curtis mayfield - freddie's dead, future shock
tribe called quest
gil scott-heron - the bottle
james brown
erykah badu - window seat, on & on
otis redding
shuggie otis - sitting here all alone
freddie king
dr. john - gris-gris gumbo ya ya
taj mahal - ain't that a lot of love
howlin' wolf
fela kuti - open & close
etta james
marvin gaye - inner city blues

Birthmark


Drunken networking: Failed attempt.



Chatted with a fellow stoic at Mia's last night... we talked about art. noise. waste. & weather half-seas-over, and later, being the intoxicated sailors that we were, discussed our love for big booties & beer. I think he had tried giving me his number, but I woke up the next day with only chicken scratch. So I'm thinking this maybe my next tattoo I'm getting...
DJ Shadow - Dark Days (Main Theme)

a bit of light reading....................


a bookmark my friend Bobby made for his band Feel Free & Them Savages